The reception of the hristian paradigm s i n th Essays - Films

The reception of the hristian paradigm s i n th Essays - Films The reception of the hristian paradigm s i n the modern Ukrainian drama Baroque is a determinant theatrical playing strategy f or modern Ukrainian playwrights . The process of instigation an interactive game with the viewer takes place, actively involving him in the stage business , even as a protagonist / antagonist , when the boundary between the hall and the stage is erased , provoking the diffuse of the apparent and r eal , their co-operation , partly imitating the co-authorship . There is a number of works in contemporary Ukrainian drama , which genre authors identify as "a new mystery drama " ( L . Paris I. Sirius. C entaur ' ) , "a s chool mystery" (V. Dibr ova " The Glove "), " a puppet mystery" (A. V yshenskyi "Cossack Mamay and the keys to Paradise ")," a mystical drama " (S. Novytska " Shynkarka ") or put into the name of the t rilogy "Another Parable of Lov e " (Marta), (Elsa), ( Manole ) or actualize the c hristian discourse " The Road to Paradise", "144000" Y a . Vereshchak ("apocalyptic"), " The Holy Passion for the God's fool ," "Lament for Judas II" . L. Chupis , "The Nativity Play " V. Shevchuk , " The Tale of Modern Years " the LTV band (an interlude) , "Confession from the pedestal " A. Semeriakova , "Davi d" (confession') V. Lusiuk , V. Shevchuk "Gates of the deathly shade" (the drama with two interlude s divided in two acts ) . During last years